Collection show, curated by
Charlotte Crevits, June-September, 2019 - Museum Dhondt-Dhaenens, Deurle
In Schöne Sentimenten, the museum Dhondt-Dhaenens brings the potential
of its collection to the fore. In the exhibition, core works from the museum’s
own collection enter into dialogue with works from private collections which
the MDD currently manages or would like to manage in the future. The whole
is therefore not a classical, but rather an imaginary collection presentation.
Real works of art are combined with reproductions so as to emphasise the
importance, capacity and possibilities of the displayed collections.
The core of the exhibition consists of pieces from the Dhondt-Dhaenens,
Matthys-Colle and Cooreman collections, each of which played an important
role in the acceptance of modern and contemporary art in Flanders. Together
they virtually span the entire 20th century and, as a whole, provide a particular
perspective on different styles, genres and movements, ranging from Flemish
Modernism from the museum’s own collection, to post-war Belgian and
American art from the Matthys-Colle collection and contemporary, global art
from the Cooreman collection.
Iconic works from the Dhondt-Dhaenens collection by, among others, Albert
Servaes, Rik Wouters, Constant Permeke and James Ensor are confronted
with established names such as Franz West and Thierry De Cordier, as well
as young talent such as Sarah Baker and Lucy Mckenzie.
The artworks are presented in a number of groups: they are freely combined
through substantive connections, attitudes, and aesthetic or formal choices.
The labyrinthine, open set-up opens possibilities for new associations and
stimulates the imagination of the viewer.
Schöne Sentimenten refers to an eponymous edition by artist Jan Vercruysse,
which is given a central place in the exhibition. The title implicitly alludes to
the beauty, but also the fragility of a museum collection. This suggestive
collection presentation, placed in an individual scenography by Maxime
Prananto, including the enormous series of posters by Michel François that
are hung in and around the MDD, raises questions and provides possible
solutions around the future of these collections.